"Reclining Figure: Internal and External Forms (Working Model)", Henry Moore, 1952
There is nothing easy about Henry Moore. Anyone interested in complicated expressions of form would be wise to focus on Moore's work and not on the Colorformistas the Hirshhorn was celebrating this go around. Moore is a tactile genius, able to elicit a strong and irrepressible desire to touch and examine--to the point that it is almost a crime that we are not allowed to touch. A piece so complicated, that I often had to reexamine my assumptions each time I looked up from my journal. In fact, it is a piece I could spend all day interacting with.
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