1. Boxer by The National: A late edition to my music collection, but something that has dominated my headphones more than any other record all year. The first two-thirds are as perfect as anything I’ve heard in a long time. And while the last quarter of the album begins to fray around the edges, it still recalls Nick Cave-esque musings circa The Boatman’s Call—not necessarily a bad thing. And, although comparisons to Cave and Cohen are apt, when they’re really rocking, lead vocalist Matt Berninger sounds more like an older, grimmer, Richard Butler (Psychedelic Furs), only without the all the psychedelic. Two songs to hear: Seriously, the first seven are required…but if I had to pick two: “Mistaken for Strangers” and “Brainy”
2. Because of the Times by Kings of Leon: This Nashville Band of preacher boys are the closest contemporary thing to Lynyrd Skynyrd—you know, if Lynyrd Skynyrd didn’t, like, you know… suck. There’s music out there that takes me back to a time (Michael Jackson, Nirvana, Huey Lewis, etc.), but it’s not often an album takes me to a place:
3. Datarock by Datarock: See my review here. The exact opposite of The National’s Boxer, which pretty much makes it the awesomnest party disk of the year. Two songs to hear: “See What I Care” and “Laurie”
4. Neon Bible by
5. The Historical Conquests of Josh Ritter by Josh Ritter: See my review here. One of the few white male singer-songwriters who values metaphors rooted in concrete imagery without neglecting a good hook, as opposed to the usual solipsistic wank-offs. Why some of these songs haven’t blown up on the radio, I have no idea. Two songs to hear: “Open Doors” and “To the Dogs or Whoever”
Honorable Mention (in no particular order): Arular by M.I.A., Because of You by Ne-Yo, Boys and Girls in America by The Hold Steady, Magic by Bruce Springsteen, Beauty & Crime by Suzanne Vega, Shock Value by Timbaland, The Black Parade by My Chemical Romance, Epiphany by T-Pain